
Track Listing
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Won’t Let You Go
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Fuchsia Fuchsia Fuchsia
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Princess Incognito
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Joy
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Mousou LOVER
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Kane wo Narashite
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One Last Time
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Rock You Till the Dawn
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Fed Up feat. Craig David
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PLAY & PAUSE
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Himitsu
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Try Me Out
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Happy Ending
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Get On the Bus
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Ring A Bell (bonus track)
1. Won’t Let You Go
I didn’t expect Kaori to start off the album on a pretty calm note. It’s kind of got that soft charm that she’s been known for her past albums. I mean ok, it’s not the most original thing ever. There’s a bit of synths involved here as well as brass and even southern influences. Now it’s when I say the song gets interesting for that stuff. Alright, this song is definitly the coolest way to begin the album.
2. Fuchsia Fuchsia Fuchsia
Our next track surprisingly delves into a more reggae sound. It’s light still and Kaori gives a sweet performance and even though I’m not sure if she’s talking about the color or the flower. Still it fits with the fact that it’s so soothing and all reggae-ish like. Another nice song to listen to.
3. Princess Incognito
Even though the title is a silly one, I can’t help but also enjoy this track a lot. Instead of something that stands out, we get a BONNIE PINK track that harkens back into her earlier albums. It’s got a pop/rock sound to it and how Kaori is singing along makes it seem like a fun track, even though the music calls for that. It does seem like “Pump It Up!” but without the synths to back it up. I still enjoy this song a lot.
4. Joy
Ending off the era, Joy is our first ballad on the album and even though it still sounds more or less like her other ballads in her career, Joy is enjoyable, but I thought her singing was a little shaky at some points. I think what saved this single was the fact there was some strings and it flowed well.
5. Mousou LOVER
Mousou LOVER is definitly a groovy and sweet track. It sounds like they did do something with her vocals, like it sounds live but it isn’t. I like the latin guitar playing in the song. Everytime the song plays it kinda puts me into a good mood. Definitly one of the early favorites, then again so far I’ve liked the songs on the album.
6. Kane wo Narashite
The beginning of the era started off strong with Kane wo Narashite which is the English version of “Ring A Bell” which is coming up. To easily put it, the song doesn’t exactly fit on the album because it’s more harder and vaguely stretches into the rock genre which the other songs are more conservative. Kaori gives a good performance, but I’m not sure what version I like more, this or the English.
7. One Last Time
It’s funny how One Last Time is longer than all the other tracks by at least a minute. Unlike the other tracks so far, they’ve been happier tracks (well maybe not “Joy”. One Last Time is more of a melancholic kind of track with it’s depressing chords and cries of the guitar. After a bit, it gets more aggressive and Kaori gets as stronger too. I think it’s what she really needed.
8. Rock You Till the Dawn
Damn, this could be my new favorite track. “Kane wo Narashite” would’ve been more fitting near this song. It’s got a pretty aggressive synth rhythm and Kaori’s attitude in the song is awesome. If she had made this all English, this would’ve been so crazy and cool. Even the whole ethereal interlude made the song sound so much more cooler AWESOME!
9. Fed Up feat. Craig David
I’m not really into Craig David and his meh music and colliding with Kaori at first made me cringe and not in a good way. When I turned it on, it sounded pretty hopeful because it’s brassy and full of synths again. It reminds me of another song of hers but I can’t remember which one. I really don’t like Craig’s part, he sounds nasally to me and jsut ignored it, obviously Kaori was the better singer here xD
10. PLAY & PAUSE
I didn’t think Kaori would pull an R&B track after “Fed Up”. Sadly, it feels like there’s something missing, like an oomph to the song, because otherwise it’s a very dry song and the chorus comes off as nothing spectacular and didn’t really have an impact on me. It’s funny hearing Kaori push out her vocals as bad as she is here. I was like I’m done with this track.
11. Himitsu
Luckily, Himitsu fixed things up pretty quickly. I love how it opens up and the bass strikes giving it a punch that the last track desperately needed. I think it’s supposed to be her epic track and to be honest it is the powerful one. The chorus is all loud and exciting and Kaori doesn’t stress her vocals out on this track. Well, maybe the higher notes sound a little bad, but I still love the track.
12. Try Me Out
I thought Try Me Out was going to be heavy since the synths at the beginning were really heavy and then it turns out to be something calm, like “Fuchsia Fuchsia Fuchsia” just without the reggae style. I thought the strangest part came when she was doing the ~ah~ parts. That kind of seemed out of place…It’s funny because I feel like she’s saying ~dry me out~ more than anything else lol….strange.
13. Happy Ending
From the single, I’ve actually started to quite like it moreso than “You and I”. Happy Ending seems to get more epic as the more listens you give to it, and Kaori’s singing shows a lot of emotions and the bridge is definitly amazing…Best A-side of the era IMO.
14. Get On the Bus
Is she pulling a Hikki on us? I mean I’m talking about the Bus in the title. Other than that, this song is definitely reminescent of her past works, so hearing something like this now has a lot of nostalgia value and once again I felt happy listening to it, but then Kaori is very pushy….~just get on the bus~….That’s mean xD
15. Ring A Bell
Officially the first track known of the era, Ring A Bell is all English and even though Kaori has some pronunciation issues, she does a good job here. I felt that she could’ve made the chorus a lot more powerful, like a bit stronger on the vocals. I don’t really enjoy this being the last track, but this’ll do for right now.
Tracks Recommended
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Rock You Till the Dawn
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Mousou LOVER
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Princess Incognito
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Happy Ending
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Won’t Let You Go
ONE is a pretty good album, not the best, but Kaori really made this album sound good. I think it doesn’t have the impact “Golden Tears” or “Thinking Out Loud” had so it kind of pales between them, but you gotta give it to her for releasing nice enough songs. I’m still irked that “Pump It Up!”, “CHAIN” (even though it’s on the DVD) and “You and I” didn’t make the cut because all of them were better than the tracks found on the album. Sad huh?


