
Track Listing
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Hajimari no Uta ~Tooi Sora Sun de~
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Yume Kendai
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Joyful
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YELL
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Nakumonka
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Mahiru no Tsuki
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Hotaru no Hikari
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Cosmos
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Futari -Album version-
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Tenohira no Oto
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How to make it
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Mirai Wakusei
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Ashita e Mukau Kaerimichi
1. Hajimari no Uta ~Tooi Sora Sun de~
It’s really unfair for me to have to listen to so many ballads from the group because it’s really hard to care for them when they aren’t exciting or anything special. The first track, Hajimari no Uta sadly falls into this category. It’s a little more upbeat than the previous ballads and there’s strings that make it a softer blow, but besides that, nothing caught my attention…not even Kiyoe.
2. Yume Kendai
Luckily things get sort of better with Yume Kendai since it’s more upbeat and features the harmonica and synths together. I already enjoy Kiyoe’s vocals a whole lot more than before and it sounds powerful. The melody is lighthearted and fun which was what the era was lacking in the singles (save for “Joyful”).
3. Joyful
Which is fitting because Joyful is full of fun awesomeness. It’s even more peppier than “Yume Kendai” and Kiyoe is showing a great amount of energy and at points makes me wonder if this was an ikimono-gakari song or a school food punishment song since they both have a tendency to make fun songs. Definitely one of the best A-sides of the era.
4. YELL
YELL being the primary A-side, was a surprise because it’s a ballad rather than being an explosive song like “Joyful”. I wanna like, I really do, but “Futari” did come first and this just seemed to be another round of it. I mean take out Yoshiki’s vocals from “Futari” and you basically get this song. Easy to say that I just didn’t feel for this song.
5. Nakumonka
I know when it’s a bad idea to stick the songs that roughly sound like each other next to each other. At least the good thing about Nakumonka was that there were no strings to really fully connect with “YELL” until later in the song, after that, it felt like deja vu. Good thing though is that Kiyoe isn’t sounding awkward as much as she was in “YELL”.
6. Mahiru no Tsuki
I know I shouldn’t be complaining but I’m already getting tired of the ballads already and while Mahiru no Tsuki somewhat makes a change to the music by adding more of something, it still feels rather dragged on for me. Still, it’s actually a lot more profound and stronger as an ikimono song than both the previous songs.
7. Hotaru no Hikari
The anime song of the era, Hotaru no Hikari really does have a strong anime feel to it, but that’s because it’s tied into Naruto: Shippuden so I can’t really hate on it since I usually like the series’ songs. It’s pretty upbeat and it breaks the dragging of the ballads so I enjoyed hearing this song at the point of the album.
8. Cosmos
Oddly enough, Cosmos is really interesting as a song all-around. I love the beginning with the harmonica solo and then it just opens to this mysterious pop/rock tune. It’s really an amazing song and Kiyoe is just amazing here, her vocals were really strong and full of emotion. I think I’m in love with this song. Interesting to note by the way, Cosmos is a self-cover from their original song of the first name off their debut indies mini-album, “Makoto ni Senetsu Nagara First Album wo Koshiraemashita…”
9. Futari -Album version-
So we get a new version of Futari, the era’s first A-side and honestly I kind of like this version more than the original because it just has a stronger arrangement and has a nice opening instead of starting immediatly with Kiyoe’s opening line. Yoshiki is still present in the song as well given it a more profound sound. Best ballad of the era…funny how that works huh?
10. Tenohira no Oto
To me, Tenohira no Oto goes back to the group when they released great music and oddly enough Yoshiki and Hotaka are actually singing majority of the lines of the song while Kiyoe acts as the main in the chorus and I was pleasantly surprised to find a track where the guys take over for a song. We need more of these kind of songs and not just Kiyoe by herself!
11. How to make it
Stand up and clap your hands everyone! is the feeling I get with the song. It’s kind of a light-hearted song and it’s kind of cute at the same time. Kiyoe is singing particularly fast here in the song but it’s enjoyable. It’s funny that it’s just so chill and free-spirited. Nice song.
12. Mirai Wakusei
While I was happy they started to drift away from the ballads, we sadly fall back in with Mirai Wakusei and once again I’m getting another deja vu moment with this being a little bit like “Mahiru no Tsuki”. I didn’t really enjoy this song much and feels tacked on the album to be the filler song. I’ll admit the chorus is catchy as hell though.
13. Ashita e Mukou Kaerimichi
Not surprising that ikimono-gakari would end off the album with another ballad and a pretty slow one at that. Unlike the other ballads where there’s a grandiose arrangement, Ashita e Mukou Kaerimichi takes it and overloads on it. There’s beautiful passages of strings and Kiyoe together. Acoustic guitar has an actual minor role in the song so it’s good they backed off on that. Then once the drums come in, I’m instantly bored…didn’t enjoy where it went…
Tracks Recommended
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Cosmos
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Yume Kendai
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Tenohira no Oto
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Futari -Album version-
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Joyful
Song of Avoidance
Where people have said that ikimono-gakari’s album tracks are mostly worse than the singles released, I honestly felt that the album tracks this time were better than the released stuff. I honestly didn’t like the fact the ballads weren’t different enough to make a true difference, but they were one or two that I did like. Clearly shows ikimono-gakari excels way better at upbeat songs than ballads. Not a bad album, but could’ve been so much better.