
Track Listing
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Pamyupamyu Revolution
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Tsukema Tsukeru
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PONPONPON
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Minna no Uta
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Kyary ANAN
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CANDY CANDY
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Drinker
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Onedari 44°C
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Suki Sugite Kire Sou
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Girigiri Safe
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Oyasumi
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Chan Chaka Chan Chan
1. Pamyupamyu Revolution
Opening up Kyary’s first album, Pamyupamyu Revolution really gives you the overall feel of the album and it’s definitely going to be a cute one that’s for sure. It’s like some song that would play at a theme park or something which is pretty nice when the main melody is a glockenspiel. Kyary does some ~la-la-la-ing~ to add a little more cuteness to the song. Then Selryam and Sylfi said that it’s just a new version of “Kyary no March”…it’s true…less Nyan Cat version though…I like the “Moshi Moshi Harajuku” march more TBH.
2. Tsukema Tsukeru
The glock melody works from the intro because it opens into our first A-side from Kyary! I have a rather interesting feel for the song for some odd reason. In one way, I enjoyed the song and playful nature with more glock love. However since, “CANDY CANDY” came along, the song kind of faded away from me. It’s still a pretty fun song to listen to but it’s starting to lose its gloss for me and I’m kind of seeing its colors a bit better. Though the synth horns (maybe?) middle was interesting lol.
3. PONPONPON
Interesting that she added the lead song from her debut mini. I mean its sheer popularity was the reason it was added for sure and truth be told, it’s still just as amazing as it was last year! I don’t know what it is about the song but it’s hypnotic and overly catchy and is dependent on a lot of repetition to get it ingrained in people’s minds (plus the random PV surely made it pop out a LOT more than the song too). It’s just a very radical song and I LOVE THE HELL outta it.
4. Minna no Uta
We finally land on our first new vocal track on this album and I was pretty curious to see what was under her sleeves for the album. Minna no Uta does feel right being after “PONPONPON” because she’s saying it quite a bit in this song as well. Then it gets very Nintendo-y like Animal Crossing because it’s joyous and bouncy and pretty random all over and there was harmonica too! I thought it was rather cute and genki for her! I really like this song for some reason and Kyary isn’t under vocoder or other vocal effects which make me a bit happier.
5. Kyary ANAN
Really?!? Of the two B-sides she only included the one from “Tsukema Tsukeru” and it’s the one I don’t really like! Coming back to listen again to this track, it reminds me of Perfume’s early days for some reason like “Sweet Donuts”. The thing that bothers me is the repetitive background lyrics because they just NEVER stop…it’s like cocaine-induced. There’s a limit to how much I can take and this song just passes over it. I mean when Kyary is actually singing lyrics, it’s nice but otherwise…it’s downright annoying!
6. CANDY CANDY
Moving into the 2nd A-side for this album and CANDY CANDY is definitely one of the more impressive songs she’s done. The song sounds a bit more serious than any of the previous tracks but still retains that Kyary giddiness that is really awesome to hear. I just love the song despite the chorus being just a little mundane. Everything else in the song is pure WIN and Nakata did a great job with this tune.
7. Drinker
The rest of the album is luckily full of new tracks now. I turned Drinker on and I was immediately taken back to stuff like Perfume’s “Macaroni” and MEG’s “CANDY”. There’s something that was rather laidback and just a song that enjoys the atmosphere it’s placed in. Kyary’s vocals do seem a little more quieter than I would like it to be but it’s still somehow catchy in it’s own right for me. She just sounds cute and it suits her quite well XD. The chorus though….cute as hell!
8. Onedari 44°C
As the somewhat promotional track for the album (but no PV), Onedari 44°C is a lot more quick-paced but it’s actually the first miss for me. There’s something that I felt was missing to make it stand out. I do like the sax playing in the background to make it a little jazzy in places. It’s random and that alone made the song just a tad more better. Different and the ending melody was something I would have not expected…
9. Suki Sugite Kire Sou
Our next track seems to borrow some sort of idea from MEG’s cuter songs like “OK” and “HEART” because it has a steady shuffling beat and it adds punch to her music. It does come off like it was made for MEG but just left for Kyary to make more out of it and I think it worked it for some reason. Add in some synth horns and it’s like wow…but when I start paying attention to the piano playing…it also gives me a little “Baby cruising Love” kind of feeling but still an identity on its own. Though it is a bit long being only 5:20 though….conflicted I guess you can say.
10. Girigiri Safe
Well we’re back to cuter songs like Girigiri Safe which started with a music box (or at least I think it was). There’s some whistling as well plus some other interesting synthwork from Nakata. It’s very cheery and would’ve fit right after “Pamyupamyu Revolution” given both of their natures. I think it’s alright, but there’s better tracks on here!
11. Oyasumi
Well usually when there’s a title like Oyasumi, you’d assume it’d be the closing song but it isn’t. Once again, I get major Animal Crossing vibes when I listen to the song because it’s got a very quiet and night time motif going on. Add in that the rhythm is very waltz-like and it’s like a very dreamy and pleasant tune. Kyary does have some sour notes because she’s trying to be cute about it all and it kind of does rub me the wrong way sometimes.
12. Chan Chaka Chan Chan
For a song with such an absurd title, I wasn’t expecting to go back into dance mode for the last track. When I hear the lyrics being sung I can’t help but think it’s another “Tsukema Tsukeru” because it’s very dotty and a lot of staccatos all over the place. Also at one point, they start playing the chorus melodies of “PONPONPON”, “CANDY CANDY”, and “Tsukema Tsukeru”. It was such a surprise and kind of just epic to hear her find a way to do that in this track. Though I like how she’s like ~see you, see you again…see you, see you, see you next time!~ for most of ending of the song…
Tracks Recommended
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PONPONPON
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CANDY CANDY
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Onedari 44°C
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Chan Chaka Chan Chan
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Minna no Uta
Song of Avoidance
Well it was kind of obvious that Nakata would put more effort since it is Kyary’s first album and all that! I mean Moshi Moshi Harajuku was average at best, but she did a WAY better job (and Nakata) for Pamyupamyu Revolution! I think Nakata expresses his cutesy, more fantasy-esque side through Kyary and it worked because all of the songs really do give this happy-go-lucky and sugary view quite well. Unfortunately Nakata fans might be like wtf at the fact this album is SUPER sugary and is a niche cut out for the fans that like sugary things. Recent capsule fans and Perfume’s electro fans will find it hard to take this album in…but honestly the quality is here and the songs are all mostly able to drill into your mind. Hard to have an album to have that kind of power…I really enjoyed it but my problem was taking in all that sugary goodness in one listen…there’s a point where I would have to stop listening to Kyary for a while. Definitely a good album though, but just be warned…it’s not for everyone.