Kurayami Monogatari

Would love a comment every so often <<

Tsubaki Factory – Teion Yakedo/Shunrenka/I Need You ~Yozora no Kanransha~ February 9, 2018

Filed under: Tsubaki Factory — solarblade @ 6:28 pm

teionyakedosingle

Track Listing

  1. Teion Yakedo
  2. Shunrenka
  3. I Need You ~Yozora no Kanransha~
  4. Teion Yakedo (Instrumental)
  5. Shunrenka (Instrumental)
  6. I Need You ~Yozora no Kanransha~ (Instrumental)

1. Teion Yakedo

As the first song of the single, we had our actual first taste of it back in 2017 when it was released digitally as a preview!  I have to say, it was surprisingly nice and suited the wintry feeling during the time.  It is surprising that it is the one with the cool dance beats and strong vocals.  It also tends to remind me of anison themes which is pretty neat for a H!P song.  All the girls have at least one solo in the track, but a LOT of it is pretty much duo/group lines which is OK.  Neat song for the group!

2. Shunrenka

Which is funny that Shunrenka is kind of being touted as a Spring song!  This is pretty much the group’s cute song for the single and it sounds a bit more organic than what “Waratte” was but I have to say, this one didn’t really stick out for me.  It does remind of H!P songs in the past like some S/mileage songs.  Overall, it’s OK but nothing I’ll remember at the year’s end.

3. I Need You ~Yozora no Kanransha~

Last, but not least, we get the group’s mid-tempo ballad and it’s nice that the song is a lot more memorable and cute as a song for the group!  I’m loving that members get solos and it’s vocally adept and shows that the can handle slower songs, especially since we get to hear Ami & Saori a lot in this song!…I will say that it does grow into an upbeat, electro track (which would’ve been nice without) because the electro bridge just doesn’t fit at ALL in this song.  Decent song, could’ve lived without the electronics though.

 

 

As the group’s 3rd major single, I kind of was disappointed in comparison to the previous single.  I felt like Teion Yakedo was decent, but not quite a standout in comparison to both “Hatsukoi Sunrise” and “Shuukatsu Sensation”.  Unfortunately Shunrenka was a song that just passed over my head an I didn’t think too much of it while I Need You is the standout track, but it has its own issues as well.  I’m sure next single, they’ll do better.

Advertisements
 

Morning Musume 20th – Hatachi no Morning Musume February 7, 2018

Filed under: Morning Musume — solarblade @ 6:55 am

hatachinomorningmusume

Track Listing

  1. Morning Coffee (20th Anniversary Ver.)
  2. WE ARE LEADERS! ~Leaders tte no mo Tsurai Mono~
  3. Hana ga Saku Taiyou Abite
  4. ENDLESS HOME
  5. Otenki no Hi no Matsuri
  6. Tane wo Tsubasa (Wings of the Seed)
  7. Gosenfu no Tasuki
  8. Ai no Tane (20th Anniversary Ver.)

1. Morning Coffee (20th Anniversary Ver.)

So wait we begin this special mini-album with ANOTHER self-cover of Morning Coffee?  Wasn’t “Morning Misoshiru” enough?  Well, this one luckily has the benefit to include the original 5 Momusu members alongside the current lineup for this.  It also works better because the arrangement was tinkered with more giving us a slightly faster tempo track with more rock elements involved.  Some people might be thrown off by the former, but personally it sounds nice in a faster tempo.  The solos seem to cross between both the OGs and current members which is nice!  Overall, what an awesome what to kick this mini off!

2. WE ARE LEADERS! ~Leaders tte no mo Tsurai Mono~

Though I was more excited for the new material (half of the album was released digitally between the end of last year til now).  So the song here was what everyone was looking forward to because it has ALL the leaders that have led Momusu, despite tenure length so there’s; Yuko, Kaorin, Marippe, Yossie, Mikitty, Ai-chan, Gaki, Sayu, and Fukuchan.  The song’s structure though is VERY reminiscent to “Joshi Kashimashi Monogatari” in which all the members involved get a line and it’s amazing because all of them talk about something memorable they’ve done or something they’re known for like Kaori’s ~Nee, Waratte~ to Sayu’s robo-voice and Mikitty’s really short stint as leader.  As for the song, it’s upbeat and cute and fits the mood.  Really sweet…wished it got a PV, honestly.

3. Hana ga Saku Taiyou Abite

Considering how mellow this mini-album is, I wasn’t expecting Morning Musume to drop an EDM song randomly here (considering it was released as a digital single after first performing at the H!P Winter Tour.  Actually some parts remind me of their recent track, “Jama Shinaide Here We Go!” but it makes sense since it is just the current Momusu singing here.  It’s a decent track, kind of surprised it wasn’t saved for a single instead of sticking out like a sore thumb on this anniversary album.

4. ENDLESS HOME

Curious to why Nacchi got the solo (probably because she was the first ace).  With Fukuchan & Odasaku helping as backups (though you really don’t hear much out of them), I was only thinking that it was going to be a remake of “Furusato”…but luckily that isn’t the case.  It’s a pretty relaxing ballad with some light synths and acoustic guitars.  I mean, I know it’s a Nacchi solo, but this feels more like something that belongs in Natsumi’s solo discography and not much in Momusu’s…I really wasn’t into it very much.

5. Otenki no Hi no Matsuri

Oh!  I see matsuri and think of festival music that’s fun and rambunctious.  What I wasn’t expecting was a more mellow effort that sounds kind of Western in arrangement and instrumentation.  I guess I should be happy this wasn’t an A-side to go along “Hana ga Saku Taiyou Abite”.  This feels like a leftover song from their most recent album but wouldn’t have worked because of all the EDM.  I actually am not sure about this one either…seems very vanilla, but at least there’s plenty solos to be had.

6. Tane wo Tsubasa (Wings of the Seed)

When I saw that the original members were getting a song to themselves titled this, I immediately knew that this would’ve been an answer song to their debut song, “Ai no Tane”.  Since the people who originally made that song came back, I thought this was an awesome circle back around.  It definitely has a certain charm about it and it really has some themes that pull from the song of the past, but overall, the song just sounds really nice and hearing Yuko, Kaori, Natsumi, Aya, and even Asuka together again just felt special and this song was a TREAT!!

7. Gosenfu no Tasuki

So back before “15 Thank you, too” released, Momusu kind of randomly dropped this song like a week beforehand and made me wonder why they didn’t they just throw it on the album as a last track.  I guess like “Otenki no Hi no Matsuri”, it really would’ve sound out of place.  While I had a long time to settle with this, I still can’t find much interest out of this ballad besides hearing Miki, Sakura, and Fukuchan having the lone solos.  There seems to be so many of these kind of songs in Momusu’s discography.  It’s definitely a song to be performed as a closer, but otherwise, not my kind of song.

8. Ai no Tane (20th Anniversary Ver.)

Closing the album and circling back around is Ai no Tane as its performed by the original members and current members.  The song didn’t get quite the changes that “Morning Coffee”, but slight instrumentation differences to make the tune sound up-to-date and what not.  When I first heard the preview, I was so happy to see Asuka return as she was the lone member to not have come back to singing with members since her graduation.  This was just nice and with Ai no Tane, it felt so right and the tune just still is breezy yet upbeat.

 

 

To kick H!Ps 20th Anniversary, Momusu released a mini-album and it was just interesting to see.  Hatachi no Morning Musume is alright, but it’s not a great album IMO.  Stuff like the updated Ai no Tane & Morning Coffee was to be expected, but the real treat was hearing the original 5 taking part in the celebrations was awesome and their track, Tane wo Tsubasa was a stand out.  The current Momusu only songs were a mixed bag.  Hana ga Saku is a great EDM song, but doesn’t quite fit this album, Otenki no Hi no Matsuri & Gosenfu no Tasuki unfortunately feel generic to me and if those 3 songs were to have been a single together…oh god no.  That leaves us with ENDLESS HOME which felt like a throwaway Nacchi B-side and WE ARE LEADERS! was a great way to bring them together.  I kind of wished more of the OG were brought in (I know some were dealing with kids but still Tsuji & Reina are on the Blu-ray performances…why couldn’t they take part?  Either way, this mini isn’t bad, but more could’ve been done.

 

You Kikkawa – DISTORTION/Tokimeita no ni Through

Filed under: You Kikkawa — solarblade @ 5:35 am

distortion

Track Listing

  1. DISTORTION
  2. Tokimeita no ni Through
  3. Kareinaru Dai Henshin (Limited B only)
  4. DISTORTION (Instrumental)
  5. Tokimeita no ni Through (Instrumental)

1. DISTORTION

I was kind of hoping that Kikka would return to the electro sound she had in the last era, especially with a title such as DISTORTION.  Though instead we get this pop/rock tune that’s pretty much in the same field as stuff from her first two albums.  Maybe it’s just me but I feel like Kikka sounds a little different here like her voice is taking up more of an idol-like squeak (ironic considering…).  Song can be a smidge messy sounding due to the arrangement going left and right in parts.  Still, it is a bit more memorable than “Sayonara, Standard” was.

2. Tokimeita no ni Through

The secondary A-side, seems to cater more towards the fun and poppy stuff that Kikka was pulling in her first album.  Even better is that Yuu’s voice sounds more like what I’m more used to from her.  The tune isn’t too memorable for me, but I think it’s her most genki song she’s had since at least her MilkyWay days ironically.  The tune might end up growing on me just for that reason!

3. Kareinaru Dai Henshin

I was curious to see that once again she’s putting a B-side only on one edition (something that was missing in her last single).  Anyways, Kareinaru Dai Henshin feels like a song that probably would’ve fit that last single because it’s not as frenetic like “DISTORTION” but not as cute as “Tokimeita no ni Through”.  It just seems very middle of the road here but it’s a safe song so it doesn’t sound terrible.

 

 

As the 3rd of the era, I feel like DISTORTION/Tokimeita no ni Through is a step up from her previous single.  DISTORTION is pretty interesting for a rock song and breathes life into this so far, straightforward set of singles she’s released.  Tokimeita no ni Through is pretty adorable and is a nice throwback to her more genki-sounding days!  As for Kareinaru Dai Henshin…it’s pretty standard fare…nothing too memorable here.  I wonder what her next album will be like.

 

GENERATION 7.5: Ultra Sun & Ultra Moon…there’s more?!? December 20, 2017

Filed under: ~Teh Pokemon: 7th Gen~ — solarblade @ 6:12 am

Yeah, it’s that time to return to Pokémon, even if this post might be super short because not a lot were introduced, essentially more Ultra Beasts and an Event Pokémon.

NOTE: If you’re looking for the Lycanroc form and the new Necrozma forms, they’re in the older posts I did from Gen 7!

So let’s get it rollin’!

082: Poipole, 083: Naganadel

poipolenaganadel

Well, we finally have our first evolutionary line of Ultra Beasts with Poipole & Naganadel!  As the main Pokémon that the Ultra Recon Squad uses, Poipole is such a cute one (which can’t really be said about the other UBs).  Though it does finally evolve once it learns Dragon Pulse which is pretty late game to level up to.  Naganadel though is wild being a Poison/Dragon (which I think it shares with Dragalge).  Initially it looks more like a purple Wasp more than anything draconic, but it’s various arts having been providing a better look to it than its Sugumori art.

084: Stakataka

stakataka

I was shocked USUM was getting more UBs and both of the exclusives were beyond strange (but I can say that for the rest of them except for Poipole).  Stakataka is the exclusive for Ultra Moon and while its typing of Rock/Steel isn’t quite interesting (there’s plenty of Pokémon that has that typing), its just all-around kind of forgetful despite its defenses being pretty decent.  I do think it’s design is wild though (a fortress with eyes huh?).

085: Blacephalon

blacephalon

Ultra Sun’s exclusive though was the more interesting overall, Blacephalon which is a Fire/Ghost (which shares with the Chandelure line, which are AMAZING).  This was so out of left field when it was revealed as it was so colorful and its exclusive move, Mind Blown is neat (big damage for half health).  I love the colors and its Shiny is awesomes too!  Great addition!

086: Zeraora

zeraora

(creds to trainerlouie!)  Anyways, USUM surprisingly had one more Event Pokémon to throw at us (after Magearna & Marshadow) with this pretty cool fursuit…I mean actual Pokémon.  Zeraora is a pure Electric type and for right now it only has a Signature move with Plasma Fists.  It looks pretty edgy and really looks like one I’d use for a long time, once its officially revealed.

WILL POKEMON SWITCH BE MORE GEN 7?  Seems like this is the last of Generation 7 though it feels like!

 

ANGERME – Manner Mode/Kisoku Tadashiku Utsukushiku/Kimi Dake ja nai sa…friends December 14, 2017

Filed under: S/mileage — solarblade @ 3:02 am

mannermode

Track Listing

  1. Manner Mode
  2. Kisoku Tadashiku Utsukushiku
  3. Kimi Dake ja nai sa…friends
  4. Manner Mode (Instrumental)
  5. Kisoku Tadashiku Utsukushiku (Instrumental)
  6. Kimi Dake ja nai sa…friends (Instrumental)

1. Manner Mode

As the main A-side promoted, Manner Mode kicks the single off with an upbeat, sort-a rockin’ song.  I have to say, the song is pretty cool and hearing Rikako, Ayacho, and Momona having leads is pretty interesting to say the least.  The other members seem to also get lines here and there (but not quite the frequency the 3 mentioned have).  Kind of gives me slight “Umaku Ienai” and some early S/mileage feels here and I dug that about this song…not bad!

2. Kisoku Tadashiku Utsukushiku

Hold on, what’s this??? Is this the second coming of “Otome no Gyakushuu” here?  Quite possibly considering both tracks have this dramatic, gothic-like atmosphere about them.  I am a little confused about the 20 second intro…seemed so random and unusual, but it restarts and we get Funakki & Takechan solos and later Kanana & Rinapuu!  I have to say, this dark setting always seems to impress me when it comes from ANGERME and I always like the whole ~danger of my love~ line too.  It’s pretty neat!  Kind of the star song here and interestingly was initially going to be the primary A-side, but was switched with “Manner Mode”.

3. Kimi Dake ja nai sa…friends

Last, but not least is the song that focuses around the remaining members; Murotan, Kawamuu, and Kamiko!  It definitely feels like the “Toki wo Koe Sora wo Koe” or “The Vision” for ANGERME because of the mellow sound and the arrangement having some similarities to those songs (well, at least up to the chorus because the tune gets more upbeat and hopeful).  There’s a whole lot of Murotan in the song which is awesome…as for the totally new member, Ayano, she’s got a high voice which might rival Ayacho’s!  It’s nice for the most part, but not quite as good as the previous two tracks!

 

 

Is it time for a new album yet?  Seriously though ANGERME, stop adding so many members in such a short period of time lawd!  Now we have two more new members, (Funaki who was basically sent there because Country Girls is in a weird hiatus and brand new member Ayano Kawamura.  Funaki brings in her voice and she stands out with her lower timbre and sounds like she’ll fit in fine while Kawamuu will take a while to get used to because of her higher register.  The single itself is pretty good for the most part, no actual complaints beyond that I’m missing Maho still, but all three songs showcase the best of them!  Just, no more DVD single please…

 

Morning Musume ’17 – ⑮ Thank you, too December 7, 2017

Filed under: Morning Musume — solarblade @ 2:10 am

15thankyoutoo

Track Listing

  1. Jealousy Jealousy (Album Version)
  2. Romance ni Mezameru Mousou Joshi no Uta
  3. CHO DAI
  4. Watashi no Nanni mo Wakacchanai
  5. Jama Shinaide Here We Go!
  6. Style of my love
  7. Narcissus Kamatte-chan Kyousoukyoku Dai 5ban
  8. Seishun Say A-HA
  9. Wakaindashi!
  10. Mou Gaman Dekinai wa ~Love ice cream~
  11. Dokyuu no Go Sign
  12. Koi wa Toki ni
  13. Joshi Kashimashi Monogatari (Morning Musume ’17 ver.)
  14. BRAND NEW MORNING
  15. Ai no Tane (20th Anniversary ver.)

1. Jealousy Jealousy (Album Version)

Opening the album is the secondary A-side from the single that kicked the era off (strange as there were more singles left off the album anyways),  Jealousy Jealousy.  Right from the start, I was curious to see what was so different between the album version and the single version but couldn’t quite tell initially.  I think the difference is that Maachan & Chiichan is included here which I mean in the long run doesn’t make too much of a difference.  Like literally it doesn’t feel like anything changed sadly.  Still, it’s a decent song and quite interesting they chose this to open the album instead of “BRAND NEW MORNING”.

2. Romance ni Mezameru Mousou Joshi no Uta

Funny enough, this song was the only song that hasn’t really been performed prior to the album’s release so having this song be the next track is curious.  The tune is aligned with more of the recent EDM tracks they’ve pulled off.  It’s a fun track and the chorus is a real cute one.  Reminds me a little of “Zenbu Owatta Kaerimichi” but with a stronger amount of electronics.  Decent!

3. CHO DAI

Seems like most of the album is once again laced with some kind of EDM.  The opening has this gritty bass synth and beats as well.  The tune is pretty interesting and I like the verses being all mysterious and whatnot.  I will say that some of those higher notes they land sound like they’d be difficult to do during live performances.  Unique song I’d say, definitely a cool song for them.

4. Watashi no Nanni mo Wakacchanai

GODDAMN FINALLY!!!  It feels like it took forever for this song to come out.  What I mean is is that this song was performed 2 years ago when both Riho Sayashi & Kanon Suzuki were still part of the group and before 13th/14th Gen entered the scene.  A lot of fans were clamoring for this one and I am so happy to see this on the album.  Though it’s no surprise that Riho and Zukki aren’t in the song (though Riho does some chorus parts here).  I’ve always loved this song and hearing it in full 320 is just an experience!  All of the members do end up with solos so it’s just awesome to hear.  This is just an epic song for them and this breath of relief is just welcoming (and closes this long ass wait!).

5. Jama Shinaide Here We Go!

Moving to one of the A-sides of the era, Jama Shinaide was pretty underneath expectations on the single just simply because this was the safe EDM track.  On the album, this song does pop out more, but it still kind of feels like it’s mixed in deep amongst the other tracks here.  Being as this is Chisaki’s debut with the group she had a bit of time here and she sounds like she fits in (but also feels like she could get lost with the other vocalists).  Overall, a decent song for the group.

6. Style of my love

So we have small grouping tracks to deal with on the album starting with Style of my love which was sung by Harunan, Odasaku, and Maria.  I was interested because I didn’t know how Sakura would handle to of the less powerful singers, but everyone seemed to handle it well.  I like the saxes in the arrangement and the tune is pretty Platinum era-like to me.  Surprising turn out and I enjoyed it a lot!

7. Narcissus Kamatte-chan Kyousoukyoku Dai 5ban

Next track and Narcissus is pretty similar to “Style of my love” with the glossy EDM synths and riffs and I’m ok with it here since it has a certain 90’s spark to it.  There’s some catchy parts, but some of the chords are a bit odd in transitions, but I’m OK with that overall.

8. Seishun Say A-HA

Another song that’s been performed for quite a while (not quite as ridiculous as “Watashi no Nanni mo Wakacchanai” but this was a while).  I kind of like the weird intro and the chanting chorus was a great to grab my attention.  The tune does feel a little empty in places and goofy in others and the bridge is funny to listen to as well up to the synths really take over.  I kind of dig it and it’s one of the more memorable tracks on the album!

9. Wakaindashi!

Surprised to see Duu’s graduation song make the album cut, but it was the best off that single so I’m not complaining here!  The whole tropical house feel I get from the song is refreshing and the whole sentimental feeling I get is just adorable.  Of course, Duu is all over the song with Akane, Maria, and Reina being secondary leads is just so cuuuute!  It’s a song that really makes me emotional and I love it for that…great track!

10. Mou Gaman Dekinai wa ~Love ice cream~

Next up is a track sung by Haruna O., Akane, Reina, and Kaede and I was quite worried because besides Kaedii all the other girls have weaker voices in comparison so I was slightly intrigued coming into this one.  It does feel like unlike other tracks on the album, this is more pop/rock which is a nice change of pace.  I love the atmosphere and the hooks are just impressive all around!  All 4 members really suit the song quite nicely.  What a cool song to have run into!

11. Dokyuu no Go Sign

Another A-side and another song where there’s a split between vocals & dance and it seems it’s just a nice segue between “Mou Gaman Dekinai wa” and “Koi wa Toki ni”.  Sung by Fukuchan, Maachan, Harunan, Odasaku, Akanechin, Haachin, Maria, and Miki, this song was wild and crazy and it’s been so long since the group has had a song like this up front and in your face.  I love the energy and all the members are quite keeping up with everything and it’s just so amazing to see.  I’m still thrown off by the bridge where it suddenly turns into this classical piece.  Otherwise, just a powerful song here!

12. Koi wa Toki ni

The rest of the members that haven’t been shuffled: Fukuchan, Eripon, Ayumi, Maachan, Duu, Miki, and Chiichan.  The song feels like an 80s new wave song mixed with some 90s tendency.  It’s a pretty straightforward song it sounds pretty in some places.  Makes me think of a happier and lighter “CHO DAI”.  Not bad, but I think this was the weakest one compared to the other 2 shuffle songs.

13. Joshi Kashimashi Monogatari (Morning Musume ’17 ver.)

It’s been quite a while, but here we are again with a new rendition of JKM (last time was done by a totally different set of girls back on “Rainbow 7”).  There’s just so much here to listen to but mostly because the group is so big these days!  Really it’s more of the same that we’ve heard those years ago (except for Miki who has an all English solo).  Still it’s a pretty fun song, although it can grow tiresome as it’s rather repetitive.

14. BRAND NEW MORNING

Not quite sure why it didn’t get the album treatment, but here we are with BRAND NEW MORNING and it still is quite a jam and a half.  The heavy march feel to the aggressive lyrics and cool verses and fun chorus just made a great song altogether.  Being this the debut for both Kaede and Reina was nice as well!  Odd placement being the last track and all, but still a great song!

15. Ai no Tane (20th Anniversary ver.)

So at the end of album we have an additional track, a remake of Momusu’s first song ever.  Though this is something different against the version that was released a month ago that featured the original 5 members.  This version is just the current members here but the same arrangement.  For what it’s worth I do think the version released with the original 5-nin is a lot more better than this take, it’s a nice update to a song that normally gets past over by “Morning Coffee” (hm…surprised “Morning Misoshiru” wasn’t on here).

Tracks Recommended

  • Watashi no Nanni mo Wakacchanai
  • BRAND NEW MORNING
  • Mou Gaman Dekinai wa ~Love ice cream~
  • Wakaindashi!
  • Seishun Say A-HA

Song of Avoidance

  • Koi wa Toki ni

It feels like forever but we finally got our new album from Morning Musume!  Being 3 years since “14shou ~The message~”, ⑮ Thank you, too was a lot of firsts for the group as the first album without Riho, Sayu, and Zukki and the first for 12th, 13th, and 14th Gens.  So there’s a lot of catching up to do.  For the most part, this album was pretty good with not a lot of songs that I would deem forgettable.  Though it does means that 15 A-sides are left without an album (a best album in the works?).  Overall a cool album and sad to see Duu graduate after this one.

 

Up Up Girls – 4th Album (Kakko Kari) December 6, 2017

Filed under: Up Up Girls — solarblade @ 7:38 am

force

Track Listing

  1. Party People Alien
  2. Upper Disco
  3. !!!!!!!!
  4. FOREVER YOUNG
  5. Shout!!!!!!!
  6. Seishun no Namida
  7. Future&Past!
  8. FLASH
  9. Seven☆Piece
  10. Appare
  11. Kimi to Iu Kasetsu
  12. Way of Our Life

Disc 2

  1. Samuraidol ~Bushi Onnamachi no Ue Yori~
  2. Darling wa Lost Child
  3. Megamorii! mavie!!
  4. Startline
  5. My World
  6. Kimi’iro Sky
  7. Shortcut ni Kataomoi

1. Party People Alien

I wasn’t surprised that the album would open with the leading A-side that began the era.  I do appreciate that it kicks the album off on a pretty strong note towards more of the electro sort and it’s a heavy song that goes back to many more of their older tracks.  It’s a very powerful track and while it’s a strange song itself, lyrically, it’s a fun time and a decent way to open things up.

2. Upper Disco

Moving to the last single released prior to the album, Upper Disco is more of a continuation of upbeat songs but focuses more on the funk/disco side of things. Compared to the oddness of the previous track, this one feels a WHOLE LOT safer with its content and surprisingly feels bland I suppose??  It’s still a good song for them, but there’s plenty of other, stronger songs available.

3. !!!!!!!!

I was hoping that “Ran Ran Ran” was going to make the cut, but it feels like it didn’t.  Anyways, the leading A-side of their 2nd single for the album, Ban Ban Ban is a lot more wilder paced than “Upper Disco” ever could be and I really enjoyed the crazy shenanigans this song has over a good portion of the album.  I still liked that Akari played a major role here with the intro (which was soft and acoustic) before it turned into this frantic pop/rock ditty.  It’s a fun song overall!

4. FOREVER YOUNG

Just like how “Upper Disco” was to “Party People Alien”, I feel like the cooldown from the previous track to this A-side from their 3rd single of the era, is a bit strange.  Taking more of a ska route for the track, FOREVER YOUNG once again feels a bit bland, maybe fitting more on their last album than this one.  Though I still kind of dig the more idol-like setting here.  It’s cute I will say.

5. Shout!!!!!!!

Moving to some B-sides they’ve released this era, this one from their first single, was a surprise to see (though all of the B-sides of the single made the cut).  Shout!!!!!!! brings us back to the club-heavy beats mixed with their idol voices.  I really enjoyed the beat and the underlying guitarwork as well giving it a weird underground feeling.  There’s just something edgy and cool here and it’s grown on me immensely since the single’s release!

6. Seishun no Namida

It just seemed that the B-sides of the single really outweighed the leading tracks of that first single.  Seishun no Namida is also quite an EDM-heavy song as well, but unlike the previous track where it could be heard during raves, Seishun no Namida is more traditional like something Nakata could pull off.  I love the arrangement and it’s heavy assortment of tricks in its sleeves.  The group sounds interesting (minus the odd rapping section).  The chorus does find itself moving away from the heavy synths for a bit, but it comes back quickly.  Great song and my favorite of the B-sides featured on the album.

7. Future&Past!

As a B-side of the 2nd single, Future&Past! is an odd choice (much preferred “Ran Ran Ran”) but here we are.  It starts off with potential with ethereal sounds and a light arrangement before it breaks into this hip-hop kind of section and it kind of breaks the song a bit.  I’ve gotten used to it, but it does break the mood a bit.  I will say this kind of split makes for an interesting listen to though.

8. FLASH

Back into more EDM tracks, FLASH was a B-side off the 3rd single and it’s a pretty cool song to hear once again.  It definitely makes me think of songs from their first album as the vocals are sounding a bit youthful and the arrangement is loud and in your face.  I like that it pumps you up without going too overboard with the electronics…seems like it would’ve fit better after “Seishun no Namida” but I’m not complaining.

9. Seven☆Piece

Of the A-sides that were released, I think Seven☆Piece was the one that didn’t quite stand out for me but it was hard when most of the other songs they released for the album had a similar feel.  As in the tune has a lot of EDM elements involved here.  For me, the tune comes off quite repetitive with its chorus and really nothing much else is standing out.

10. Appare

In technicality, Appare was the first release for the album (it was a bonus CD on one of their live DVDs).  Of course it does make a reappearance as a B-side on the “Party People Alien/Seven☆Piece” single.  The tune gives me similar ska vibes like in “FOREVER YOUNG” but this is a bit more peppy and exciting of a song for me.  On the album it stands out a little bit, but I think once again there were better ones here.

11. Kimi to Iu Kasetsu

As the last of the old songs, this A-side from the 2nd single feels like a sentimental track (probably didn’t help the PV made it feel moreso that way).  I love that once again, all the members get a good chunk of solos here and the song is just sweet and charming here.  I’m a bit surprised it wasn’t the closer but it’s still a pretty cool song for them considering what’s happening.

12. Way of Our Life

The album oddly enough ends with the only NEW track on the first disc and unlike the others on this album, it has the most joyous arrangement of them all.  Another song where I feel this belongs maybe on a different album as this feels like it doesn’t suit the album.  Though I feel like since this is the 7-nin’s last song together before Minami and Ayano graduated, it makes sense (though “Kimi to Iu Kasetsu” does too).  Interesting song to end the first disc on.

CD2

1. Samuraidol ~Bushi Onnamichi no Ue Yori~

The 2nd disc though comprises of 7 songs sung solo by each member of the group!  The first one is from Sengoku and I swear Morisaki did the monologue before Minami takes over the track.  First thought was how this is reminding me of “SAMURAI GIRLS”, but with only one member, the song is rather interesting.  The verses were pretty cool and the chorus is genki (but quite compact with those lyrics).  Good way to kick this 2nd disc off!

2. Darling wa Lost Child

Konatsu takes the next track and it easily reminds me of similar songs with this middle-of-the-road mid tempo EDM track which the group has done plenty of.  There’s some nie things about it, but from Konatsu’s straight-line singing and most of the arrangement sounding a bit bleh…it wasn’t all that great IMO.

3. Megamorii! mavie!!

Next up is Morisaki’s solo and I was expecting something goofy, but what we got feels more like a winter track (in August?).  Though it goes on for about a minute and 10 seconds before hell breaks lose and Saki is yelling in the song.  The arrangement also switches up to a quick-paced bass heavy beat and Saki is going nuts.  Weird song and it goes back and forth so it’s pretty jagged at that too.  Though it is interesting to say the least.

4. Startline

Ayano’s track is next and this one gives me anison vibes purely just from its arrangement and the chords it strikes.  Add that Ayano’s vocals has this higher squeak and it kind of works together.  Sadly, the song just doesn’t resonate with me and feels like a throwaway song more than anything else (which is cruel because it’s a B-side on the group’s upcoming single, which Ayano isn’t a part of due to her graduating between the two releases).

5. My World

I feel like Akari gets so many solo tracks just because she’s the more well-known one of the group.  I am surprised the song has a bit of a tropical vibe to it and I think it definitely caught my attention despite Akari not being the best vocally in the group.  It’s not quite as epic as “Abyssal Drop” was, but for a solo track this held my attention nicely and the lightness mixed with the bells and beats were pretty cute.

6. Kimi’iro Sky

Sekki’s track comes next and it fits alongside the other heavy EDM tracks from the album and it really does have that strong beat here.  Sekki’s voice is pretty much straight too like Ayano’s but the chorus does fix things somewhat.  The tune reminds me of something fripSide would pull…sticks out!

7. Shortcut ni Kataomoi

Rounding the 2nd disc off is Maana’s solo and Shortcut ni Kataomoi between the 7 of them feels the most idol-like of them with guitars, brass, and a light ska feel.  Of the members it really feels like Manami has gotten better vocally and it shows here with the bright and colorful atmosphere of the track.

Tracks Recommended

  • Seishun no Namida
  • Shout!!!!!!!
  • Kimi’iro Sky
  • !!!!!!!!
  • Kimi to Iu Kasetsu

Song of Avoidance

  • Startline

Finally we get to listen through UUG’s 4th album!  I will say that compared to the previous album, it kind of sucks that the main disc only has ONE new song, but balances it out with a separate disc for solo tracks.  Overall, the album is OK there could’ve been more to this but considering the timing with the new units in relation to UUG and the fact that Minami Sengoku and Ayano Sato graduated…I suppose this is what they could throw out there.  Not bad, but not great either.