- Eager Eyes
- fly blind
- It’s no big deal
- Break a spell
- Dendritic Quartz
Interesting that Mami opens up the album with the title track. What a title though haha! I was confused in which direction the song was heading because it was going towards electro and rock, but it kind of fuses together in a cool way (well, she’s been at this kind of style so it’s definitely right at home. I’m loving Mami’s vocals here and she gives a stellar performance with a song that sounds like a continuation of songs from “SQUARE THE CIRCLE”.
Talking about her last album we get Borderland which was a single released before that album was released. I was sad it didn’t make the cut but here it is on this one (yet “FIXED STAR” and “Gardens” are inexplicably missing from this album). Borderland though works on this one with it’s static-y electrorock sound. Instead, Mami’s vocals are much lighter and under some filters and the energy is a little more quick-paced too. I’m still a pretty big fan of this one and was very happy to see it here!
Since most of the album from here on is brand new songs, I was curious to see what Mami and her producers came up with. Starting with I…civilization is pretty cool and dark (almost to the same heavy arrangements from MELL and KOTOKO). This one took more to the synth-side of things and Mami’s lines sometimes sound a lot more MELL-like than it should, but I love it! It’s a cool song and all, but I think the previous tracks stuck out much better!
Somehow I thought the feeling of “I…civilization” would’ve been through this song, but Enchantress takes up a more electro side by lacking the guitars and giving us this weird dance track, but it sounds so cool and yet mysterious especially with some of Mami’s lines in this one. It’s definitely a cool song for the album and an early favorite!
5. Eager Eyes
Seems like the album is just digging deeper into electro I’ve and I’m loving this trek down that lane. Eager Eyes is dirty and aggressive and Mami’s filtered vocals add this really cool effect that reminds me of stuff from MELL like “Red fraction” and “no vain” but it’s still pretty has its own identity that just sticks on me and love more and more!
For a song title as such, it’s not a shocker that it’s another aggressive track on the album. Though unlike the cool trance vibes of the previous track, PIST is a little more heavy on the guitarwork here, but it still has some electro in it giving it this factory-kind of sound which is basically the best I can compare to. There’s even parts where the arrangement lightens up and Mami’s filtered vocals sound a lot more soothing and cool.
7. fly blind
Next up, is fly blind and it’s strictly on the rockin’ side of Mami’s arrangements (almost on the level of some stuff from “SEED” and “SAVIA”. It’s a pretty in your face kind of song and really comes punching in and out and I’m loving some of it. The chorus includes some synths and piano which does throw some of the edginess out the window, but I think there’s something about the verses that really gelled together.
Though the beginning of here. closes the door and we’re back to stuff that sort of sounds like “Borderland”. here. has a cool intro with gritty guitars and synths. I think this track does well with Mami’s take on MELL’s voice and it sounds really devilish, but then the chorus opens to a much lighter feel which like “fly blind” throws me off, but the chorus is decent too…it’s just that it sounds a bit like “Red fraction”…
Man this album has just been so very aggressive so far and it’s a surprise to me especially since I’ve listened to all her albums. I’m a little weirded out with the long introduction and the weird vocals choices Mami makes during the song. I wouldn’t say this is a favorite of mine due to the changes this song goes through, but the effort is through the roof.
10. It’s no big deal
Of an album that has been mostly dark and aggressive and just angsty, It’s no big deal is the odd ball on this album having a more poppy vibe and the amount of noticeable Engrish is cool too. Though I think by itself, the song is great and shows off a nicer side to Mami, this song probably should’ve been on “SQUARE THE CIRCLE” LOL.
Oh hey a trance song comes next! The beat is definitely the heaviest on the album here and I love those kind of tracks! It even keeps at it through the entire track alongside a lower toned Mami which is always nice to hear too! I love the thick amount of synths bouncing along the deep bass synth giving a really full sounding track. Definitely a cool song overall!
12. Break a spell
I was shocked that Break a spell was the literal only A-side to make the cut (“Borderland” being released in the last album’s era and the lack of the other 2 A-sides released prior to this album. Break a spell does take a bit from “Borderland” with the airy vocals, but getting strong for the chorus. Though coming back to this, the song isn’t as strong as I remembered last year. The slower tempo (in comparison to many of the songs on this album) is strange, though the intro is still the coolest thing in the track.
13. Dendritic Quartz
Closing the album out is Dendritic Quartz and by title alone, I was looking forward to listening to this one. Though I was surprised that like “It’s no big deal”, it’s a happier song from Mami though its placement is nice since it doesn’t totally break the album. I mean it does keep the dance beats and strong vocals, but it kind of zones me out after a while.
Song of Avoidance
As I finish Mami’s 5th album all I can say is, wow this was one consistent album going between the things she’s known for and not taking strange risks. A lot of these songs are quite decent (and even Dendritic Quartz has good things going on too!). While I was worried with the time she took for this album (and “Gardens” being such a generic mess), I was worried PARABLEPSIA was going to be a misstep, but honestly, it’s probably her best album yet! *RECOMMENDED*