- Sakura no Uta
- Hanako no Uta
- Aiko no Uta
- Kayo no Uta
- Michiko no Uta
- Believe in Me
- Oshare wa Onna no Sentoufuku
- Fashion Magazine
Opening the play is the main theme of the play and it’s quite a nice change of pace, giving more of a happy-go-lucky arrangement. I do like Ayacho & Kamiko having the opening lines then the rest of the group (and other members involved in the play) kind of going between lines and being back-up. Decent track and a nice main theme!
2. Sakura no Uta
It seems majority of the release is solos starting with one from Kanana. Unlike the breezy feels I got from the theme, Kana’s solo track has much of a more lighthearted, but silly arrangement, though it is weird mixing it with Kana’s more mature vocals which surprise me a lot here! It is pretty short though barely going over a minute in length, but it’s quirky I suppose.
3. Hanako no Uta
Next up is Rikako’s solo song for the play and she gets a song that feels like a Venetian Waltz, but that’s actually pretty cool meaning that the OST has variety going on! That said, while Rikako isn’t the best singer in ANGERME, her higher tone has a nice light flair that accentuates the song itself and she adds some cool things like rolling her notes here and there and going into a chest tone. Interesting track, but one that worked for Rikako.
4. Aiko no Uta
It is strange we get two waltz tracks, but this one is a Rinapuu solo! Coming after Rikako’s track, Aiko no Uta in comparison is a little more youthful sounding and it helps that Rina’s vocals are also light and bright. It feels like she’s getting so much better in line delivery and her high note at the end was very nice (almost reminding me of her high note in “Umaku Ienai”). I do think it doesn’t really set itself too far apart from the previous track, but I enjoyed it just for Rina.
5. Kayo no Uta
I was surprised that Momona even got a solo track here as she was just added to the group quite shortly before the stageplay happened. Her song changes things up and gives a bit of a bossa nova vibe here. While she’s probably the greenest of the group and has a bit of a long road to catching up, it’s an OK track for her and doesn’t ask too much from her.
6. Michiko no Uta
The last of the ___Uta songs, we finally end up with a solo from Moe. Surprised that of them songs, this is the only ballad amongst them. I have to say ever since she joined ANGERME, Kamiko is a strong singer and one of the most impressive voices at the start! The tune might not be in the original side of things, but it definitely showcased Moe’s great vocals!
7. Believe in Me
Next is a track that featured Ayaka on her own! I kind of liked that the song moved into something like that could be easily chantable in performances with the beat as punched up as it is. I do still think Ayacho’s voice is shaky and somewhat struggles with longer notes, but I do like its upbeat lyrics and sound.
8. Oshare wa Onna no Sentoufuku
The other song that features everyone, Oshare wa Onna no Sentoufuku initially reminds me of “MODE” because of the similar upbeat sound, but it does stick out a little bit. Though this definitely feels like a musical track because the arrangement almost sounds cheap to me with the sort-a 90’s-esque CASIO-pop feel. There is a whole lot of Ayacho in this as well so that’s here nor there for me. Overall, it’s ok but nothing too special.
9. Fashion Magazine
Then we have our final track (which, random fact, was the initial name for the stageplay before they settled into Mode). The song is sung by Ayacho, Kanana, and Takechan! I’m not sure what genre this would be under, but it has a bit more of a pop/rock/synth feel. It is a pretty quirky song and the trio sound great together even if Ayaka has most lines (as usual). OK song, but once again could’ve been more memorable?
As the preview release before the DVD+CD drops, ANGERME’s Mode stageplay OST does seem like a little more effort was put into it (at least more than I thought originally) and for the most part was a nice release. Of course there are songs that I could live without, but there wasn’t as many complaints here as there were with “Higashi no Chihei, Nishi no Towa”. I just hope the rerelease will include solo tracks for the remaining ANGERME members.