Kurayami Monogatari

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Morning Musume ’18 – Furari Ginza/Jiyuu na Kuni Dakara October 26, 2018

Filed under: Morning Musume — solarblade @ 4:09 pm

furariginza

Track Listing

  1. Furari Ginza
  2. Jiyuu na Kuni Dakara
  3. Y Jiro no Tochuu
  4. Furari Ginza (Instrumental)
  5. Jiyuu na Kuni Dakara (Instrumental)
  6. Y Jiro no Tochuu (Instrumental)

1. Furari Ginza

As the leading A-side, Furari Ginza is kind of a cuter song for the group and it kind of reminds of a bit of Country Girls’ “Ranrarun ~Anata ni Muchuu~” from its kind of sensual and playful style.  Though, I feel like there’s no chorus really as a LOT of the song is kind of the same rhythm, vocally so a lot of it seems to zone me out somewhat.  No surprise though that there’s no solos here either (mostly groupings and duo lines).  It’s an OK song and it’s another break from the EDM…but it’s just OK, I guess?

2. Jiyuu na Kuni Dakara

Which is where the other A-side fits in as the edgy EDM track the group decided to release.  Though there’s a lot of solos so I’m pretty happy about that.  The song’s style is a lot more harder and maybe has as much punch as “Mukidashi de Mukiatte” which is pretty good to hear.  At first, I thought the song felt pretty standard for Momusu, but which more listens, I’ve become more used to it and I like the build-ups and Sakura, Fukuchan, Maachan, and Miki really stepped it up (though I think, I would’ve loved to hear everyone else).  Still, a pretty decent track!

3. Y Jiro no Tochuu

Yeah, the single actually has a B-side, but it’s more used because it’s kind of a send-off song for Harunan (who is graduating).  Unlike the upbeat A-sides, Y Jiro no Tochuu is more of a mid-tempo ballad and it feels like old H!P songs which I’m very surprised yet intrigued by it.  It’s pretty nice and really brings back some nostalgic feels (even if that bridge was unusual) but it does follow-up with a lengthy Harunan solo).  It’s a nice track and a decent goodbye to Iikubo.

 

 

Another single goes by and it’s another graduation single, this time for the elder Haruna.  While the main A-sides didn’t touch on this fact, I’d say this single was pretty good otherwise.  Furari Ginza seems a bit too straightforward and doesn’t quite have enough changes to make me love it, but at least there was Jiyuu na Kuni Dakara which was actually a good EDM track.  Then we have the softer Y Jiro no Tochuu which was sweet for Harunan’s goodbye.  Overall, a good single, better than the last one!~

 

NCT 127 – regular-irregular October 13, 2018

Filed under: NCT — solarblade @ 11:56 pm

regular-irregular

Track Listing

  1. City 127
  2. Regular
  3. Replay (PM 01:27)
  4. Welcome To My Plaground (Regulate only)
  5. Knock On
  6. No Longer
  7. Interlude: Regular to Irregular
  8. Simon Says (Regulate only)
  9. My Van
  10. Come Back
  11. Fly Away With Me
  12. Chain (Korean Ver.) (Regulate only)
  13. Regular (English Ver.)
  14. Run Back 2 U (bonus track)

1. City 127

Opening the album up, City 127 kicks things off on a bit of a laidback and calm setting with its light R&B.  After the introduction (which is the chorus), Taeyong does his rapping and singing in the verses before the chorus with Taeil, Doyoung, Jaehyun, Haechan, and Yuta filling that out then following with Mark in the second verse.  Yeah it seems it’s just these 7 members that are featured here so the remaining 3 are just missing.  For the opening track, it’s light and soft and sweet, but I don’t know if I would’ve had it open the album up IMO.

2. Regular

Which is made more apparent because Regular was chosen to promote the album as a whole.  Of course NCT 127’s comeback songs have mostly been hard songs (with the exception of “Touch”).  Unlike previous efforts though, Regular has more of a Latin sound to it and I find it refreshing for the group.  Now this song features all the members here (which includes Johnny, Winwin and new member Jungwoo).  I thought the song’s more meaningful lyrics were easier to like than the English version, but it’s still a great listen.  While it still has Taeyong & Mark leading most of the song, just about everyone has a singular solo here and I found myself loving the arrangement.  Groovy song, might not stand out like “Limitless” or “Fire Truck” did, but this is a good comeback!

3. Replay (PM 01:27)

I had wondered if there was any connection to one of their past songs, “Back 2 U (AM 01:27)” and it just seems it’s kind of a vague connection as it’s more of like something you would listen to in the afternoon versus the other track in the morning.  Replay is quite slow at first and I like the opening sections with Jaehyun & Doyoung.  Then after the prechorus with Yuta & Haechan, the song gets a cool beat and turns upbeat and club-centric and I just ended up loving the track!  Hell even hearing Jungwoo, Taeil, and Johnny in the 2nd verse was awesome!  Little surprised with no Taeyong and Mark, but this song is quite a strong song for them!

4. Welcome To My Playground

Of course the album was rereleased with some extra tracks (a common thing to do with K-pop albums, albeit “EMPATHY” seemed to not do it).  The first of the new tracks on the repackaged album, “Regulate”, Welcome To My Playground is more for the fans who enjoyed “Touch”.  It harbors some of that cute playfulness about it in its arrangement, but of the three is probably the weakest.  I’m surprised to see how much Jungwoo there is here (probably the most through the entire album).  Though I guess there was less of Johnny, Winwin, Yuta, and less Taeyong…I guess I was pretty much OK with it.  I suppose it has its place, but I’m not remembering much of it.

5. Knock On

I feel like the album’s overall sound so far seems more relaxed than previous releases and it shows with the last track and now this song!  The tune just feels dream-like, but I’m very happy to hear everyone get a decent line in this track.  Though beyond that, the song kind of floats through my mind and dissipates pretty quickly.  I don’t know, this one doesn’t really stand out to me very much.

6. No Longer

This one only features 6 of the 10 members (Taeil, Yuta, Jaehyun, Haechan, Doyoung, and Jungwoo).  Yeah, it’s even lighter than “Knock On” being more of a ballad than anything else this album provided so far.  With a simple piano arrangement with light high-hat, the song is here for the 6 to show off their vocal prowess.  I mean I already know how powerful they all can be, but I’m happy to see Yuta and Jungwoo as we don’t quite get to see their vocals much and both can handle themselves just fine.  While it’s not my type of song, it’s nice they threw a ballad on here.

7. Interlude: Regular to Irregular

A 3-minute interlude to give us a break from the music?  I mean, I do like the classical sounds I get from it with the piano & strings and the fact this is the same track that played on their Yearbook video (a vid showing all 18 NCT members), but the fact this track exists to kind of bridge from the slower stuff to the more hip-hop stuff as a little past halfway, the arrangement shifts into a darker motif with some chaotic chords and some trap high-hats, though when played backwards it’s actually kind of a chaotic take on “Fire Truck”.  Interesting interlude and I feel like it did its job here.

8. Simon Says

Chosen to promote the repackaged cut of the album, Simon Says is such a strange song but yet fitting for NCT 127’s more hip-hopish sound.  The sound is mysterious and kind of harboring a darker vibe like “Limitless” and “Chain” but more the latter.  Of course the song is pretty much littered with a lot of Taeyong and Mark, but there seems to be a bit more of a nicer line distribution.  For a promo song, it’s odd, but I dig it in a weird way.

9. My Van

Moving into the irregular side of the album, My Van only features Taeyong, Mark, Jaehyun, and Jungwoo.  Honestly, I feel like the track is more for the rappers as a LOT of the song is back and forth between Taeyong & Mark and as usual, they sound great and bounce off each other so nicely.  I don’t know why, but this song makes me think of like weed or something was involved here as the lyrics seem so…off?  I don’t know Jaehyun and Jungwoo both could’ve been left out and it wouldn’t change much honestly.  This was kind of a weak song.

10. Come Back

At least the pace is picked up again with Come Back which does sound like an album track from something previous of theres (maybe “Cherry Bomb”?).  While I feel like a lot of the members are once again left out of solos and a lot of the focus is between Taeil, Doyoung, Haechan, Taeyong, and Mark, there are some smaller parts are there for some of the other members.  The rapping part is odd in the song, but the rest of the song is funky and cool!  After a while it dawned on me…this is a Korean take of Come Back that was originally found on their Japanese mini-album, “Chain”.  No wonder why it sounded so familiar to me!

11. Fly Away With Me

Hearing Taeil & Doyoung lead so much is rather nice, but I’m happier to hear a longer solos for both Jungwoo & Winwin alongside in the first verse of our next track.  It does feel like this song suits being closer to “Replay” and “Knock On” more than back towards the end of the album.  The chorus is nice and the beat is relaxing and not in your face.  Once again surprised that Taeyong and Mark aren’t here, but this song is a decent jam I’d say.  What I will say, is this song sounds almost 1 to 1 with a Jordin Fisher song, “All About Us”…is it a cover?

12. Chain (Korean Ver.)

Of course I say the repackaged album came with 3 new tracks, but this technically doesn’t count since it’s just a Korean take on their Japanese lead-in track off their mini-album of the same name.  Right from the beginning besides the language change, the song feels like it had some arrangement editing like adding in an echo filter to make the tune feel a bit more rounded.  Though not surprised that I didn’t hear Jungwoo here since he wasn’t present in the original release (ironic, since Jungwoo was added to “Cherry Bomb”).  Hmmm…

13. Regular (English Ver.)

The timing couldn’t have been more predicted that NCT 127 would opt for an English cut of Regular (even to the point where the lyrics are different).  Granted, the line distribution stays the same which is great to show off all the members in some fashion (Winwin getting shafted again).  Either way, the English cut sounds quite good and the members mostly sound good speaking in English (Taeyong has some questionable mumbles) but otherwise it’s still Regular and it just sounds very American-friendly!

14. Run Back 2 U

So we have “Running 2 U” and “Back 2 U” as well…is there some other connection that I need to know about?  Either way, when I saw this was the bonus track, it made curious as to why it was so and as it turns out the chorus is actually taken from a track called “BASSBOT” which was used to showcase 6 of the SM ROOKIES (Taeyong, Jaehyun, Johnny, Yuta, Ten, and former SM ROOKIE Hansol) back in 2015 before NCT was formed.  I thought it was an awesome track and seeing that idea extended and given to NCT 127 (would’ve been great if Ten was involved) was an awesome idea.  The new parts are great and seeing the other 127 members (minus Haechan for some reason) is a good way to turn this track into one of theirs.  I still love the heavy chorus and its speedy and catchy as hell too!  What a surprise to see making the album!

Tracks Recommended

  • Replay (PM 01:27)
  • Regular (both versions)
  • Run Back 2 U
  • Simon Says
  • Fly Away With Me

Song of Avoidance

  • My Van

So finally here we are with NCT 127’s first full length album and all I can say is…it’s OK?  Maybe it’s just from being blessed by “EMPATHY” or something, but I feel like regular-irregular was kind of a bit dull in places.  Stuff like Regular, Replay, and Run Back 2 U showcased their harder style, but I feel like majority of the rest was just sleeper songs for me.  It’s not bad, but at this point I think they could do better.  Also, hey Jungwoo joined the group and he was pushed pretty moderately here, but his voice is enough to really pop alongside Doyoung (as to me, they both have similar power and sound).  Interesting to see where they go next after their adventure in America…though if rumors are correct, a new Chinese NCT unit?  I’m kind of excited to see Kun, Winwin, Lucas, Chenle, and Renjun possibly get something cool (especially since the recent SM ROOKIES; Hendery, Yangyang, and Xiaojun were just added to SM ROOKIES earlier in the year).

As for Regulate, the 3 added tracks were kind of these and didn’t harm the rest of the album in anyway, nice to see NCT go back to more of their edgier sound for Simon Says and added a cuter song in Welcome To My Playground while Chain was kind of a bonus to say the least.  Overall altogether, I’d say this album era was pretty good!

 

U-KISS – SCANDAL

Filed under: U-KISS — solarblade @ 8:00 pm

scandal

Track Listing

  1. SCANDAL
  2. Chair
  3. SCANDAL (Instrumental)
  4. Chair (Instrumental)

1. SCANDAL

After all the happenings with the last era, losing Kevin and Soohyun going into military service / hiatus, I was more than interested to see where U-KISS was going to head towards.  What I wasn’t expecting was to see Jun & Kiseop leading their first song as a quartet!  I really like the classy sound of the track, giving me a little bit of a 90s groove.  Of course Hoon has a bit of spotlight too and Eli takes the rap section so there’s a lot of equality to be found here.  I was pleasantly happy with this A-side and one of the better songs in recent times!

2. Chair

As for the B-side, I was quite liking the soundscapey intro and feels more like I was expecting to see Hoon first singing and with Jun with the rapping as well.  Instead of “SCANDAL’s” more upbeat nature, Chair is more of a sexy and sensual track with some light trap instrumentation to mix with the R&B setting.  A bit lowkey, but I love the feel of this track!

 

 

After the rather disappointment that was their last album, “LINK”, I feel like U-KISS’ first single as a quartet was a rather decent one!  SCANDAL just sounds cool and refreshing and it’s nice to finally see Jun utilized as a singer and Kiseop getting a lot of spotlight moreso than before!  Even Chair was a nice laidback track for them and fits their sound.  I don’t know if they’ll release an album as just the 4, but I could only hope so!

 

 

ANGERME – Tade Kuu Mushi mo Like it!/46-Okunen LOVE

Filed under: S/mileage — solarblade @ 3:30 am

tadekuumushi

Track Listing

  1. Tade Kuu Mushi mo Like it!
  2. 46-Okunen LOVE
  3. Tade Kuu Mushi mo Like it! (Instrumental)
  4. 46-Okunen LOVE (Instrumental)

1. Tade Kuu Mushi mo Like it!

Something about the leading track instantly reminded me of a bit of a mix of “Taikibansei” and “Umaku Ienai” for some reason, but I think I dig the poppy and funky sound of the track.  Though I’m not sure how I feel with the lack of solos for the girls because I only remember Funakki getting a solo in the track lol.  I think maybe the song is a bit of a slow grower, but honestly the best part is the bridge as the arrangement gets a bit more heavier and the beat is more electro.  Otherwise, it’s middle-of-the-road for me as an A-side.

2. 46-Okunen LOVE

As for Yonjuuroku-Okunen LOVE (how the title is pronounced), I was definitely given a serious vibe to stuff from Berryz Kobo & even more specifically Momusu’s “Utakata Saturday Night!” because of the disco-pop vibes from this one.  I was more impressed with this A-side because it’s got a lot of spotlight on the members here and the energy is bright and fantastic!  I’m just so happy to see Rina and Rikako getting a lot of lines here, though not surprised I barely got to see Ayano & Kana here.  Still, this is a pretty awesome song for them.

 

 

As Ayacho’s graduation grows closer, this single kind of feels a bit odd at a time like this.  It’s an OK single and definitely worth it alone to listen to 46-Okunen LOVE as it’s bright, sassy and just full of the excitement that ANGERME seems to have in spades of showing and there’s no slowing them down it feels like.  Tade Kuu Mushi mo Like it! feels like some of their older songs, but it’s OK, but nothing compared to its sister A-side.  Just makes me wish the group would release their 3rd album already (albeit, their first as ANGERME).

 

Takanori Nishikawa – Bright Burning Shout

Filed under: T.M.Revolution — solarblade @ 2:53 am

brightburning

Track Listing

  1. Bright Burning Shout
  2. awakening
  3. Bright Burning Shout (Instrumental)
  4. awakening (Instrumental)

1. Bright Burning Shout

Oh hey, this song sounds like a slightly touch like someone told Nishikawa to bring back abingdon boys school, doesn’t it?  Yeah, I’m not sure what’s going on with this decision to not use his T.M.Revolution moniker, but right from the start, I feel like Bright Burning Shout is more or less a combination of both his units.  The song is quite loud and in your face like many of the abs discography, but it also carries an obvious anison tone to it as well.  It’s a pretty good song though and Nishikawa brings a great performance as usual with his crazy vocal ability!

2. awakening

As the B-side of the single, I instantly found myself liking the intro with the piano and overall slow feel as a rock ballad.  Takanori’s voice in the verses are so much better heard and he sounds a lot cleaner with less vibrato.  Then he hits the chorus and it hits hard and it’s so dramatic with the piano/strings behind the heavy rock instrumentation.  I kind of preferred this track over the leading track just because it has a bigger dynamic to me.

 

 

So I guess Takanori is going solo?  I still don’t quite understand why this is a thing because this single sounds heavily like something abingdon boys school would release due to the heavy rock influences featured in both Bright Burning Shout & awakening and makes me miss them even more because these songs were good!  I’m curious to see where he takes this move and if it’ll be a good choice!

 

Nana Mizuki – WONDER QUEST EP

Filed under: Nana Mizuki — solarblade @ 2:33 am

wonderquest

Track Listing

  1. WHAT YOU WANT
  2. Kekkai (Nana Mizuki feat. Miyano Mamoru)
  3. Birth of Legend
  4. Hungry Hungry

1. WHAT YOU WANT

As the leading track off the single, WHAT YOU WANT is such an odd departure for Nana as the song is VERY rockin’ and even the opening has English lines!  I don’t think she’s ever had a powerful rock track leading and it’s a surprising change of pace after the multitudes of anison tracks!  There’s still a bit of anison in the chord progression, but I definitely enjoyed the arrangement and the power behind Nana’s performance as well.  What a memorable song for her!

2. Kekkai (Nana Mizuki feat. Miyano Mamoru)

The next track is something I wasn’t expecting to see and that’s a featuring song with fellow Miyano Mamoru and truth be told, I’ve heard of him, but never really followed his music.  I have to say, he sounds really nice and works well alongside Nana’s more soaring vocals.  The song itself is more anison, but I approve of the continuation of rockin’ guitars mixed in with dramatic piano & strings to really give a powerful feel throughout.

3. Birth of Legend

Oh? So we’re going down Celtic lane for Birth of Legend?  It seems to be the slight theme for this track which is actually really unique and I love the flute addition in this track and it’s a lighter romp when compared to “WHAT YOU WANT” & “Kekkai”.  I do like its more cute side though and Nana once again sounds great, but after two loud tracks, Birth of Legend seems a bit out of place on the single perhaps?

4. Hungry Hungry

Rounding out the single, Hungry Hungry brings Nana more towards the dancier stuff in her collection, but I’m not sure if I should take it seriously from the title alone XD.  I do like the futuristic arrangement and the louder parts are catchy and fist pumping.  I think it’s supposed to be more of the cutesy track more than “Birth of Legend”, but it’s kind of decent.

 

 

I wonder if because she announced another single at the same time, “NEVER SURRENDER”, I wonder if Nana is trying to push for a new album before the end of the year perhaps?  Anyways, WONDER QUEST EP is quite different from what I came to expect from Nana with the first two tracks being heavy rock songs while her typical works were the last two tracks.  I feel like all the songs brought something to the table and I wasn’t disappointed once!

 

Ai Otsuka – Dracaena October 5, 2018

Filed under: Ai Otsuka — solarblade @ 12:38 am

dracaena

Track Listing

  1. Dracaena
  2. Akkanbe
  3. RounD
  4. Dracaena (Instrumental)
  5. Akkanbe (Instrumental)
  6. RounD (Instrumental)

1. Dracaena

After waiting for quite sometime after it’s short version was digitally released, Dracaena finally has a physical release and what I have known about the song was that it was more of a ballad for Ai-chin.  It’s been a while since I’ve heard Ai’s voice sound so heavenly against such a simple arrangement.  The song though is still a bit of a slow burner for me as it doesn’t quite heave the feelings like previous efforts had.

2. Akkanbe

Another song that was released digitally before finding its place here on the single, Akkanbe is a bit more upbeat than “Dracaena” but it definitely reminds me of songs in her first 3 albums with being poppy and just cute and bouncy.  It’s simple, but I feel like this could’ve been more effective as an album song?

3. RounD

That leaves us with the actual new track for this single and it definitely sticks out amongst the other two having a bit more synth effects used in the arrangement.  It’s definitely an ethereal track for Ai, maybe a little bit like something from her “LOVE TRiCKY” album.  It sounds spacious and Ai just sounds heavenly throughout the song…a lot more memorable than the other two tracks!

 

 

As the single preceding her best album, “Ai am BEST, too”, Dracaena just kind of came out of nowhere especially since 2/3rds of the single were digital singles to begin with.  Both the A-side and Akkanbe were OK songs, but they weren’t quite as memorable as RounD ended up being.  Definitely 3 sides of Ai-chan that she excels at at least so the single is good.

 

Hitomi Shimatani – Golden Lady

Filed under: Hitomi Shimatani — solarblade @ 12:10 am

goldenlady

Track Listing

  1. Golden Lady
  2. sabão
  3. Golden Lady (Instrumental)
  4. sabão (Instrumental)

1. Golden Lady

It’s been quite a while hasn’t it?  Well, Hitomi’s back with a new single and a new A-side!  Golden Lady surprised me with it’s more jazzier/funk sound and I’m quite enjoying the energy of the track and of course Hitomi sounds as lovely as ever here.  There’s just something about this song that kind of gives me a night city-life feel about it and it just suits her sensual vocals nicely here.  Definitely something I wasn’t expecting, but happy to see!

2. sabão

As the B-side of the single, sabão carries on a similar sound found in “Golden Lady, but a bit more mellow and relaxed in comparison.  Really though, there isn’t too much to say about this song because of the similarities, but I do enjoy the lower energy and once again in love with the nightlife bossa-novaish feel I get from the track.

 

 

Wow, it’s been a while since Hitomi released a single huh (not since 2014’s “Yaburekabure”).  As this is the leading single before her next album, “misty” releases, Golden Lady is a pretty nice single, taking Hitomi into more of a jazzier sound than what she’s been known for.  I think both this and sabão just gave me an interest to the album and can’t wait to see what the album will offer!

 

Kyarypamyupamyu – Japamyu October 4, 2018

Filed under: Kyarypamyupamyu — solarblade @ 5:55 am

japamyu

Track Listing

  1. Virtual Pamyupamyu
  2. Kizunami
  3. Harajuku Iyahoi
  4. Oto no Kuni
  5. Kimi no Mikata
  6. Charmy Charmy Charming
  7. Enka Natrium
  8. Koi no Hana
  9. Todoke Punch
  10. Sai & Kou (Japamyu Edit)

1. Virtual Pamyupamyu

Of course, Kyary opens the album up with a short little intro (1:40).  With Virtual Pamyupamyu, I’m kind of surprised of the 16-bit like melody for the first half before the song kind of amps up and builds up to this kind of cool video-game melody and the repetition of ~pamyupamyu~.  While it doesn’t quite make much sense to the rest of the album, it’s a decent intro!

2. Kizunami

As the lead-in track for the album, Kizunami moves away from the intro’s more game-like tone and brings us back to something more familiar in her discography.  I’m starting to feel like Nakata is greying the lines out with the arrangement here because it does sound like something that Perfume would’ve done.  Though, there is some similarities to past Kyary songs too like “Tsukema Tsukeru”.  It’s OK, but ultimately not a stand-out track to me.

3. Harajuku Iyahoi

Interesting to see that Kyary left out some A-sides for the album, in particular “Ii Suta”, but I had totally forgot about this song because it was a secondary A-side to that Nakata/Charli XCX song (which is luckily not on here)!  Bringing back the signature toy piano melody, Harajuku Iyahoi does come off a smidge more serious than Kyary’s multitude of adorable tracks.  Another song that gives me Perfume vibes (in particular, “TOKYO GIRL”), but the song is catchy and the beat is more tolerable as well!

4. Oto no Kuni

Oh hey, what is this song?  Oto no Kuni sounds like it would’ve been great to be after “Virtual Pamyupamyu” but it also definitely reminds me of “Ninjari Ban Ban” but a little more electronically wild!  I really like the beat and it definitely makes me happy like with some past favorites of hers.  It’s got a lot of oomph and firepower and definitely reminds me of old Kyary for sure!

5. Kimi no Mikata

As the only digital single released for the album, Kimi no Mikata kind of ran underneath my radar and so this would be the first time listening to it (maybe I should check out the PV huh?).  Already, the song has an interesting arrangement and beat versus the other songs on the album!  It’s just incredibly bouncy and a lot of bass coming from this one.  It’s still Kyary being super cute, but it’s kind of catchy.

6. Charmy Charmy Charming

I kind of figured that of the new songs, this title would bear the overly cutesy track on the album and it kind of builds up into it too!  Maybe it’s not to the level of like “Kyary ANAN” and “Mi”, but this is more along the lines of “Family Party” and “CANDY CANDY”.  I have to say though that this song didn’t really leave much of an impression despite being one of the longest tracks here.

7. Enka Natrium

I was curious if Kyary was going to try for Enka, but I think even I knew that’d be wrong.  As the shortest vocal track (under 3 minutes), Kyary really is a strange song in and of itself as Kyary is kind of speak-rapping the verses and the song is minimalistic as well.  I’m really unsure what to think of the song because it’s just kind of an oddball (considering who this is, it really shouldn’t but it does surprise me).  Short and weird…

8. Koi no Hana

Of course with each album release, Kyary always has a capsule cover, but this time it’s of Koi no Hana, which was originally a B-side off of capsule’s 3rd single, “Tokyo Kissa”.  What an abstract choice to cover, but I can’t blame that.  Being a little quicker-paced and more current sounding and fitting to Kyary, I kind of like this version a little more than the original.  I also like how it’s the tamest of the new tracks as it forces Kyary to actually sing more.  Though, I have to say, the piano-led arrangement is nice and doesn’t lose the identity the original had either.  Nice cover!

9. Todoke Punch

I still find of surprising and somewhat humorous that Todoke Punch was chosen of “Ii Suta” (the former being the B-side of the single), but I’m kind of glad because this song was definitely the best of the era had to offer in my honest opinion.  I don’t know why, but that intro always gets me pumped up and in the mood to dance and then the verses kick in and it turns into a bouncy as hell track that just sound so in your face, but totally Kyary.  It’s still definitely one of the best she released in this album era.  Though it is odd that it’s towards the end.

10. Sai & Kou (Japamyu Edit)

Ending off the album though is the technical first single released for the album (what I mean was that this song was also on her best album, “KPP BEST” as well).  Of course, the tune would be changed up for the album and it’s mostly a new arrangement and a minute latched on as well.  Can’t say the changes did the song much better here and in the end the song continues to be a middle of the road kind of song for me.

Tracks Recommended

  • Todoke Punch
  • Oto no Kuni
  • Koi no Hana
  • Kimi no Mikata

Song of Avoidance

  • Enka Natrium

Hitting Kyary’s 4th album, I feel like Japamyu was kind of forgetful to me?  I don’t know what it was but this was a bizarre era for Kyary with odd releases left and right and omitting an A-side here too.  The new songs were mostly kind of eh with a couple of exceptions, but overall, the album just kind of was here and there.

 

VIXX – Reincarnation

Filed under: VIXX — solarblade @ 4:06 am

reincarnationvixx

Track Listing

  1. Reincarnation
  2. Scentist
  3. Sugar
  4. Last Note ~ Kieta Ato no Rosoku no Kaori
  5. Circle
  6. My Valentine
  7. But Not For Me
  8. The Rain
  9. Navy & Shining Gold
  10. Shangri-La

1. Reincarnation

As the opening track and promo song used for the album, Reincarnation is interesting as it’s a bit more upbeat and yet somewhat flowing other than previous lead tracks in their discography.  Actually, the best comparison might be “The Closer”, but the tune is still more funky and has enough turns from Ravi leading a lot and the prechorus getting a cool bumping beat that releases into this light section and then bringing it back to a funky groove for the chorus.  Pretty cool track, maybe not as good as “Depend on me”, but this is definitely a good way to kick the album off.

2. Scentist

So if you were wondering why certain songs are bolded it seems this album kind of split into 1/2 Korean songs and 1/2 new Japanese tracks (the bolded being the KOR tracks from “EAU DE VIXX” & “Shangri-La”).  Scentist was the main attraction for the “EAU DE VIXX” album and for good choice it was because it was super slick and kind of in a way badass. It flows more smoothly than “Reincarnation” and just hits harder.  Slightly disappointed it wasn’t translated, but I still love the song all the same.  It’s just VIXX doing what they do best and they didn’t disappoint!

3. Sugar

Hopping back to some new JPN works, Sugar tones things down with a kind of cute bop of a song.  I kind of like the minimalist sound from here and starting once again with a nice Ravi rap is cool!  The tune is pretty much in line with some of their album tracks of the past and I dig these laidback, poppy tracks.  It’s also nice to see harmonizations with the guys as the 5 singers all do song great together!

4. Last Note ~ Kieta Ato no Rosoku Kaori

Our next track, Last Note has a pretty unique arrangement with the boopy synths all over the track.  I think of the new tracks, Last Note kind of rubs me the right way because it seems a bit out of left field for the group, but take out the trap beats and give me more of those harmonizations.  I think maybe with more listens, this song will grow on me because the longer it goes, the soothing it gets, but it’s still an odd song on the album lol.

5. Circle

Back to tracks from “EAU DE VIXX”, Circle kind of continues this interesting arranging style that “Last Note” started, but it also kind of reminds me of “Scentist” in a way.  I’m noticing a lot more Ravi these days on their tracks because he definitely stands out on this album so far to me.  Yeah, there’s just something about the song that really reminds me of the latter track, but I kind of like the slow groove as well.

6. My Valentine

Bongo drums huh?  Yeah, our next track has an interesting intro and then adds piano to the VIXX sound to give us another mellow bop of a track.  I kind of dig it and it somewhat gives me slight jazz vibes against light trap sounds.  The song is nice and all, but I don’t think it’s all that memorable (though those bongos are odd being the lead-in to the chorus).

7. But Not For Me

As the last stretch of the new tracks, But Not For Me kind of marks the realization of that the exclusive tracks on this album have some really nice arrangements here!  Though, I will say some of the sound of this one in particular give me some The Little Mermaid vibes with those synths.  Though I kind of dig it a lot, then the chorus kind of comes in and it has this rush of in n’ out sound that kind of surprises me.  I kind of enjoyed this one.

8. The Rain

It wasn’t a surprise to me that there had to be a simple ballad on this album and it resounds in this track.  While I don’t think VIXX does very many ballads (shows that their leading songs have never been ballads), but I would say that this would be a good representation of them doing a good job given the chance to.  While I’m not totally 100% on board with Ravi rapping in such a simple piano ballad, his deep voice kind of fills the gap out.  Otherwise, this was a nice track if not maybe a little basic.

9. Navy & Shining Gold

As the final two tracks come up, I’ve wondered why these songs from “EAU DE VIXX” were chosen (and moreso not translated).  Navy & Shining Gold is probably the group’s poppiest track on the album and definitely gives me vibes to some songs they released in the previous JPN album they did, specifically “Mukae ni Ikou”.  I do like the groove and while it doesn’t quite fit the album’s motif, it’s a nice way to bring things to a lighter and happier level.

10. Shangri-La

Ending the album, is the oldest track VIXX released and I found it quite surprising it’s the final track.  Though, I still think this song is just classy as hell and the whole Oriental theme of the track really stands out.  Like the other Korean songs, a little disappointed it wasn’t translated.  Just seeing everyone have decent lines and sounding awesome just feels so good.

Tracks Recommended

  • Scentist
  • Shangri-La
  • But Not For Me
  • Reincarnation
  • Last Note ~ Kieta Ato no Rosoku Kaori

Song of Avoidance

  • My Valentine

I never expected VIXX to release a sophomore album (sorry, but “Lalala ~Ai wo Arigatou~” is so a mini-album), but Reincarnation is a pretty decent album for them despite half the album is in Japanese and the other in Korean.  That being also said, I felt like the new tracks got more interesting arrangements versus the “EAU DE VIXX” songs here.  Definitely a step up from “Depend on me” that’s for sure!